Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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VERMEER VAN DELFT, Jan
A Lady Drinking and a Gentleman (detail) edte

ID: 09536

VERMEER VAN DELFT, Jan A Lady Drinking and a Gentleman (detail)  edte
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VERMEER VAN DELFT, Jan A Lady Drinking and a Gentleman (detail)  edte


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VERMEER VAN DELFT, Jan

Dutch Baroque Era Painter, 1632-1675  Related Paintings of VERMEER VAN DELFT, Jan :. | Woman with a Lute near a Window wt | The Allegory of Faith (detail) er | The Art of Painting (detail) est | The Artist in his studio | Girl with a Pearl Earring er |
Related Artists:
Jean-Baptiste Francois Desoria
Jean-Baptiste François Desoria (1758-1832). Both once enjoyed considerable renown among the elite of the Paris Enlightenment; today their names are barely known. Jean-Baptiste François Desoria (1758-1832), born in Paris, was, with the exception of some portraiture, primarily a history painter in the Neo-Classical style of his slightly older contemporary, Jacques-Louis David. Constance Pipelet, born in Nantes in 1767, was a surgeon's wife (later divorced) turned writer and librettist; she was noted primarily for her opera Sapho and her Epître aux femmes ( Epistle to the Women). Like her French predecessor of some four centuries earlier, Christine de Pizan, Constance Pipelet celebrated in writing the intellectual achievements of women.
Charles Warren Eaton
painted The Stump Lot in 1857 - 1937
Luca Signorelli
Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.






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